The project was born into my mind during a visit to Altorf. There was talk about the Summer trip to the U. P. of Michigan and the story of the Grand Island Chippewa. It's a story and a place that inspired the last painting I did. Of Little Duck's mother when she took her boat onto Lake Superior.
You can get it *(HERE)* . It's an awesome book about a unique group of people and what happened to them. A situation was posed to me "it would be great to capture a moment when Little Duck was running." It was something that Little Duck was famous for. In that moment an image started to form. I decided I was going to use the largest canvas I have ever attempted AND I was going to make it a portrait! I was terrified. I had only really painted on one stretched canvas before this project and I've never been good at drawing or painting people... and here I was going to paint a large portrait for a Christmas gift. Not only was I terrified, but I was also tremendously excited. I was thrilled at the idea that it could turn out beautiful. I decided that I was going to try very very hard not to draw with my paint. I didn't want it to look like a colouring book picture that I had painted in. I sketched out only the barest of detail where I wanted things to end up only as a guide. I sketched in my portrait in vague detail so that I felt I had proportions right.

I told him how anxious I was feeling and how I was no nervous that I wasn't going to be able to rise to this challenge and give this as a present. Eric was so awesome about it! In a few short sentences he not only had me feeling calmed back down, but he left me feeling encouraged and able. I set myself back to my task and from time to time Joel would check on me. He suggested that the moon was not quite right, which was something that I had suspected as soon as I had placed those colours onto it. It didn't really look like a moon in the present hues. I think My favorite part to paint was the braided hair. I was undecided for a while whether he would have double braids or a single large braid down his back. I knew I didn't want to give him feathers because Little Duck is a very young man and might not have earned any yet. As I painted on the scalp down to the nape I felt good about double braids. I had the most fun layering in colours to look plaited.
I finished the painting on December 23rd. I had the whole week leading up to Christmas off and much of the painting had been done in that week. I texted my brother in celebration and called Joel in to look at it . I knew that it would make a good gift when Joel said he would miss it after it was gone. I had wrestled with this painting, cursed it and finally I had fallen in love with it. Little Duck looked calm, determined, a little sad. That was just as I wanted him. The sky was inspiring and the moon glowed. The tree line led up to his heart like a machine readout of heartbeats and trailed behind him. There is a lot of symbolism in the painting. I wanted this painting to capture the moment Little Duck decides it the time to follow his father's order and run home to tell his tribe what has happened there. I see it in the eyes... he's said his goodbye by whispering it to the wind to carry, and he is ready to run.
Christmas Eve arrived and I placed a bow around the painting and put it into my portfolio to transport it to Altorf. I wanted to give this to my parents who have always been such a support to my art. It was they who shared with me the story of the Grand Island Chippewa, and they who shared a beautiful vacation in the U.P. of Michigan. I wanted them to have this special moment from the story as a thank you and because it was a moment that meant something to them.
So here he is: Little Duck
This picture shows the painting in brighter light and a more straight on angle.
This picture shows it at a slight angle but I like the colours better.